Agamemnon
2010
In war, truth is the first casualty…
The 2010 production of AGAMEMNON took place at the Cambridge Arts Theatre on 13-16 October 2010, 2.30 and 7.45pm at the Cambridge Arts Theatre.
Directed by Helen Eastman, it featured a through-composed score by Alex Silverman.
4692 tickets were sold. There were accompanying schools talks on the first three days: Dr Jennifer Wallace, ‘Agamemnon and the Decisive Moment’, Prof. Simon Goldhill, ‘Language and Women in Aeschylus’, and Prof. Robin Osborne, ‘The Politics of the Agamemnon’. On the 17th there was an academic symposium to discuss Aeschylus’ Agamemnon and the 2010 production.
Production Team
- Director: Helen Eastman
- Assistant Director: Tom Adams
- Composer: Alex Silverman
- Musical Director (Chorus): Simon Jackson
- Musical Director (Band): Simon Nathan
- Designer: Neil Irish
- Assistant Designers: Alexandra Ovtchinnikova, Tyfène Vally
- Costume Design Assistants: Anna Reid, Jodie Routh
- Lighting Designer: Neill Brinkworth
- Assistant Lighting Designer: Giles Fleming
- Lighting Operator: Edward Quekett
- Company Stage Manager: Sam Clear
- Deputy Stage Manager: Joe Hytner
- Assistant Stage Managers: Francesca Balestrieri, Amy Cooper, Claudia Mair
- Assistant Producer/Director’s Intern: Blake Palmer
- Surtitles: Edith Hall
- Surtitle Operator: Domini Hogg
- Language Coaches: Anthony Bowen, James Diggle
- Graphic Designer: Andrew Pontzen
- Publicists: Lucia Prauscello, Lyndsay Coo, Emily Tesh
- Production Manager: Ray Cross
- Producer: Christopher Whitton
Musicians
- Violin: Emma Gait
- Viola: Simon Nathan
- Trumpet: Brendan Musk
- Trombone 1: Ben Pennington
- Trombone 2: Alan Cruickshank, Jon Douglas
- Percussion: Ian Tindale
- Choir: Marie Christie, Alexandra Davies, Victoria Griggs, Katya Kazakevich, Becky Richards
Cast

Katherine Jack

Jake Harders

Phoebe Haines

Geoffrey Kirkness

Sophie Crawford

Tadhgh Barwell O'Connor

Stephen Bailey

Alex Thompson

Katherine McDonald

Mairin O'Hagan

Andrew Brock

Daniel Unruh
Gallery
Padraig Bolton, GuardianThis play was all ancient Greek to me. But I liked it.
If you don’t speak the lingo, it’s the soundworld of ancient Greek – awash with strange noises and rhythmic tides – that strikes you… By the end, I realised I’d been seized by the zeal of a proselyte. The only sadness is that I’ll have to wait another three years.